Masters and Teachers
Walther Klemm, 1919–1921
Lyonel Feininger, 1921–1925
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The graphic printing workshop began its work in 1919. To this end, it acquired technical equipment from the former School of art in Weimar. Walter Klemm, a graphic designer and teacher at this school, was head of the printing workshop as master of form until he was replaced in 1921 by the painter and Bauhaus master Lyonel Feininger. With the support of Walter Gropius, Feininger promoted the printing of graphic works by students and masters of the Bauhaus.
Significant portfolios of graphic art by the Bauhaus masters were created, including ‘Zwölf Holzschnitte’ by Feininger, the ‘Ypsilon’ series of etchings by Georg Muche, the ‘Small Worlds’ portfolio by Wassily Kandinsky and the ‘Masters' portfolio of the Bauhaus’. The five-part portfolio ‘Neue Europäische Grafik’ with prints by international avant-garde artists was published between 1921 and 1924. The bindings for the portfolios were produced in the bookbinding workshop, which collaborated with the printing workshop. The portfolios did not sell as well as expected for the printing workshop of the Bauhaus, and a graphics printing shop was not set up at the Bauhaus in Dessau.
The portfolio 'Small Worlds', consisting of 12 graphics in colour and black-and-white, is Kandinsky’s most important portfolio.
Poster for the 1923 Bauhaus Exhibition in Weimar
Schmidt developed the poster, which was designed for a competition, in the form of a cross made up of circles and squares.
Postcard for the Lantern Festival
The Bauhaus year was shaped by the Lantern Festival on Gropius’s birthday, as well as the Summer Solstice, Kite and Julklapp Festivals in the summer, autumn and winter.
Our Game. Our Party. Our Work
'Our Play – Our Party – Our Work' is the name of the lecture with which Johannes Itten introduced himself to the Bauhaus in 1919.